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Interviews, Articles, & Press Releases
NOTE: THESE ARTICLES CONTAIN VALUEABLE, FIRST-HAND INFORMATION PERTAINING TO WOODY SHAW'S DEVELOPMENT AND APPROACH TO MUSIC
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REVIEWS & RELEASES:
Stepping Stones :: Amazon.com (5-Star CD Review. Amazon.com, Aug. 2005) (.html) click to read
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Stepping Stones :: AllAboutJazz.com (CD Review. allaboutjazz.com. Jim Santella) (.html) click to read
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Stepping Stones :: AllAboutJazz.com (CD Review. allaboutjazz.com. John Kelman) (.html) click to read
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Stepping Stones :: JazzTimes Review (CD Review. JazzTimes, Sept. 2005) (.html) click to read
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Little Red's Fantasy :: JazzTimes Top 50 (Album Review. JazzTimes, Sept. 2005) (.html) click to read
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Rosewood :: JazzTimes Top 50 (Album Review. JazzTimes, Sept. 2005) (.html) click to read
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Woody Shaw Bio :: Columbia Records (Press Release. Columbia Records, 1979) (.pdf) click to read |
INTERVIEWS:
Woody Shaw explains his development - in depth! :: 'Musician' (Musician, 1978) (.pdf)
click to read
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Woody Shaw and Billy Taylor :: JazzAlive (.MP3) (Audio Interview. JazzAlive, 1979)
click to listen
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Shaw discussing his LP, "Master of The Art" (.MP3) (Audio Interview. Elektra, 1982)
click to listen
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"Linked to a Legacy" :: Downbeat (Interview. Downbeat Magazine, 1983) (.pdf)
click to read |
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"Trumpet in Bloom" :: Downbeat (Interview. Downbeat Magazine, 1978) (.pdf) click to read
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Quotes...
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"Woody Shaw is one of the voices of the future...not of the
future, of the present!
He has something that's different, something unique to offer.
He's the guy who makes people say: 'Hey, look out, look out;
here it comes!' "
- Dizzy Gillespie
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"Now there's a great trumpet player.
He can play different from all of them!"
- Miles Davis
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"He was truly one of the greatest!.
I first had occasion to work with Woody on a trip to Iran.
One of the most amazing things was his uncanny memory.
I was just flabbergasted!. After one look, he knew all of the charts,
no matter how complex they were."
- Max Roach
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"I really admired and respected Woody Shaw's playing.... he was one of
our finest young Jazz trumpeters."
- Milt Jackson
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"Woody Shaw is full of beautiful fire, drive, imagination, and harmonic knowledge.
I like him better than any other young trumpeter."
- Horace Silver
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"The thing about Woods is that he's done
his homework. He's hip to Louis Armstrong, plays intervals,
and runs backwards so to speak. He breaks it down, plays atonal,
and then comes back and plays real trumpet. Woods covers the
whole spectrum!"
- Dexter Gordon
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"I first met Woody at some jam sessions at Juilliard around 1960 - I had just moved to New York. It was so inspiring to hear some "young guys" playing so great and inventive. This was my generation and the excitement was high.
 Woody was the finest of the young trumpeters - and although he learned from the great trumpeters just prior - like Freddie Hubbard, Lee Morgan, and Clifford Brown - he always, from the start, had a completely distinctive sound of his own.
Woody contributed to my 1st 2 albums as a leader: "Tones For Joan's Bones" and "Is". He added that great enthusiastic and creative sound to that music and I'm very proud to have played with Woody and have known him."
- Chick Corea
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"Woody added to the vocabulary of the trumpet. He had a real concept about
the organization of group music that often utilized many different
and complex harmonic progressions. He was very serious, disciplined
and respectful towards jazz. His whole approach influenced me tremendously."
- Wynton Marsalis |
"I have a lot of tunes for Woody. I have a tune on Black Hope which
is called "Run Run Shaw." There is a tune on Happy
People called "A Hole in One," written for Tiger
Woods, but in the back of my mind, I am always
thinking of Woody Shaw. His influence and his presence
is always in my music somehow. Woody Shaw, I think in
the community, people definitely knew about him. When
I first got to New York and I started hearing Woody
Shaw, I was roommates with Mulgrew Miller and Tony
Reedus, who were playing in his band. I got a chance
to hear him a lot more probably than other people.
 The
thing that I liked about Woody was that he came from
Freddie (Hubbard), but he also, at some point, started
to develop his own thing. To me, not only that, he was
coming from Trane too. When I think of Woody Shaw, I
think of John Coltrane. Harmonically, I think of John
Coltrane. It gave me a chance to hear music
differently and it was definitely at one of his peaks
in his musical career. For me, I really got a chance
to hear Woody and to hear him play nights where no one
heard him. I have tapes of him when I was screaming,
he was playing so much trumpet and then I had an
opportunity to play with Woody Shaw and Freddie
Hubbard on the "Double Take" CDs and that was beautiful
too. Even though I
love Freddie Hubbard, Woody, just harmonically, he was
playing what I wanted to hear at that point." (From "A Fireside Chat with Kenny Garrett," Jazzweekly, Fred Jung)
- Kenny Garrett
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"Woody was one of the most imaginative and creative musicians I've had the privilege of being around.
He was also one of the youngest and perhaps one of the last great
conceptualists that came in the wake of John Coltrane and Miles Davis.
In Woody's band, we dealt with so many different ways and different
styles of playing; modal, free, way-out, standards and bebop.
It was quite an experience to be around somebody who found new
ways of playing all those kinds of music, and with new concepts."
- Mulgrew Miller |
"One of the greatest Jazz musicians of all time..."
- Dave Liebman |
" I still listen to Miles a lot...
Freddie Hubbard, Bird, and Woody Shaw... I think Woody was really my guy."
- Dave Douglas
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"I love Woody.... His shapes! At the end of his phrases he'd have just that touch of vibrato that would sing out a little bit... Like off of Rosewood
and all that stuff. He was just an incredibly forward-thinking trumpet player."
- Chris Botti
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